![]() ![]() It’s especially noticeable when used in smaller rooms. And although 2mm might not sound like a lot, it makes a surprising difference. That means you either lose a stop of aperture or 2mm of focal length. While other ultra-wide-angle options are available, they either start at 14mm or only offer a max aperture of f/4. As with all G Master lenses, it comes at a high price, but we believe it’s worth it. Bulbous front element doesn’t accept filtersįor those who need an ultra-wide viewpoint, Sony’s 12-24mm f/2.8 GM offers exceptional quality. ![]() Best ultra-wide: Sony FE 12-24mm f/2.8 GM You lose a stop of light with that particular choice, but it is significantly cheaper and smaller, making it another attractive option. Should you be in a situation where you need to cut back on your kit’s weight, more compact options are available, such as the Sony 16-35mm Vario-Tessar T FE F4 ZA OSS. And, weighing 1.5 pounds and measuring 3.5 x 4.8-5.4 inches, it’s not a small or light lens. It definitely has a G Master price and costs a pretty penny. This lens has two main downsides: Its weight and price. Even if you turn that automatic adjustment off, it is easy to correct in editing. As with any lens this wide, you will get some distortion, but Sony cameras automatically adjust for this, so you won’t even have to think about it. ![]() Sony designed this lens with 16 elements in 13 groups, including two extreme aspherical and three standard aspherical, to reduce undesired things like distortion and aberration. And it has a fluorine coating on the front element to help keep that clean and free of fingerprints and dust. In terms of construction, as you would expect from a G Master lens, it has a sturdy build with weather sealing. The quiet autofocus makes it suitable for video, as you won’t be able to hear annoying focusing noises while recording. Two Direct Drive Supersonic Motors control the autofocus, which is essentially silent. Combined with the rounded 11-blade diaphragm, you’ll be able to get very attractive bokeh, allowing for portraits with good separation from the background. That wide aperture also allows for a shallower depth of field. And it has a fast f/2.8 aperture, making it useful for low-light situations, including astrophotography. You won’t have to switch lenses nearly as much with this option. It provides plenty of ultra-wide range for large group shots and even real estate photography but also covers the more subdued end of wide-angles at 35mm for environmental portrait and detail work. The focal length range makes it ideal for many genres it can be your workhorse of a lens even if you shoot a bit of everything (at the wide-angle side, of course). Sony’s 16-35mm f/2.8 is a superb choice if you want one wide-angle lens to cover your bases. The best wide-angle lenses for Sony: Reviews & recommendations Best overall: Sony FE 16-35mm f/2.8 GM Finally, we considered lens weight, weatherproofing, focusing abilities, additional features like lens controls and markings, and finally, price. Aperture was also a significant factor, as many wide-angle situations also require a fast aperture due to limited light. Beyond that, image quality was the primary consideration when compiling the included lenses. We aimed to include a lens for every situation, from portraiture to real estate and even video. When selecting the best wide-angle lenses for Sony, we considered the various ways a wide-angle lens can be utilized. How we chose the best wide-angle lenses for Sony
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